The breadth of Coppey’s repertoire is testament to his profound musical curiosity: alongside mainstream cello literature, he is a champion of lesser-known and contemporary works. He has given the world premieres of cello concerti by such celebrated composers as Jacques Lenot, Marc Monnet, Eric Tanguy, and the French premieres of works by Elliott Carter, Mantovani, and Erkki-Sven Tüür. Amongst those composers to have dedicated works to Coppey are such leading voices as Lera Auerbach, Christophe Bertrand, Hugues Dufourt, Frédéric Durieux, Ivan Fedele, Philippe Fénelon, Philippe Hurel, Michael Jarrell, Betsy Jolas, Frank Krawczyk, Philippe Leroux, François Meïmoun, Brice Pauset, Enno Poppe, Thierry Pécou, Michèle Reverdy, Johannes Maria Staud, and Frédéric Verrières.

Recent and forthcoming highlights include performing as soloist with such orchestras as the Dortmunder Philharmoniker, Kansai Philharmonic Orchestra, Norwegian Radio Orchestra, Orchestre National du Capitôle de Toulouse, Orchestre Philharmonique de Monte-Carlo, Orchestre Philharmonique de Radio- France, Orchestre Philharmonique de Strasbourg, Orquestra Sinfónica do Porto de Casa da Música, Polish National Radio Symphony Orchestra (NOSPR), and the Sichuan Symphony Orchestra of China. As conductor, Coppey collaborates with the Deutsche Kammerakademie and the Orchestre Royal de Chambre de Wallonie, amongst other leading ensembles, and serves as Music Director of the Zagreb Soloists (2011-present).

Coppey is a much acclaimed recording artist, working exclusively with the audite classics label. In 2024, he released a recording of the complete works for cello and piano by Gabriel Fauré, with celebrated pianist François Dumont. 2021 saw the release of Shostakovich: Cello Concertos (with Polish Radio Symphony/Lawrence Foster), whilst 2022 saw the release of Kodály: Music for Solo Cello, and The French Cello (Orchestre Philharmonique de Strasbourg/John Nelson). All four albums received exceptional reviews, universally placing Coppey on a par with the greatest cellists in history.

Coppey’s recordings have received exultant critical acclaim, including a Diapason d’Or and “Choc” in the Monde de la Musique for his recording of the Dutilleux Cello Concerto (with Orchestre Philharmonie de Liège/Pascal Rophé), and the highly sought after “ffff” from Télérama, amongst other awards. Coppey has also recorded extensively for the Accord/Universal, Aeon/Outhere, Decca, Harmonia Mundi, K617, Mirare, and Naïve record labels. In the streaming sphere, Coppey’s performances can be found on both Arte.tv and Medici.tv.

Passionate about inspiring future generations of musicians, Coppey is a Professor at the Conservatore National Supérieur de Musique de Paris, and is regularly invited to give masterclasses across Europe, Asia, and both North & South America. Since October 2020, he is the Artistic Director of the Saline Royale Academy : a state-of-the-art new music education facility in France.

Marc Coppey is also a passionate chamber musician, and former member of the Ysaÿe Quartet (1995-2000). He now serves as Artistic Director of the annual Easter Festival in Colmar. 

Coppey collaborates regularly with such luminary pianists as Nelson Goerner, Stephen Kovacevich, Kun-Woo Paik, and Maria-João Pires, leading string players including Ilya Gringolts, Vadim Gluzman, Viktoria Mullova, Alina Pogostikina, and Lawrence Power, and the internationally acclaimed flautist Emmanuel Pahud. Coppey’s regular sonata partner are Russian pianist Peter Laul and French pianist François Dumont. Marc Coppey is a Commandeur des Arts et Lettres, by appointment of the French Ministry of Culture.

Marc Coppey performs on a cello by Matteo Goffriller (Venice, 1711), known as the ‘Van Wilgenburg’, and resides in Paris.